By Bill Greenwell, Linda Anderson, Derek Neale
An inspiring diversity of methods to counterpoint your writing talents. jam-packed with stimulating writing workouts, various costs and over 30 extracts from literature throughout a wide selection of genres, the e-book should be as an entire path or dipped into all through. Accessibly written via 3 released writers and skilled academics from top artistic writing associations, this can be a wealthy sourcebook of strategies containing: difficult writing routines to extend the writer's process and 'voice'innovative methods of constructing fiction and poetry stylesin-depth introductions to degree, radio and movie writinginsights into the best way assorted genres engage and the way to evolve tales for performanceadvice on format presentation of work"What is beguiling concerning the writing is the fashion - those are usually not educational propositions: they're translations from adventure and perform" David Morley, Professor in artistic Writing, Warwick collage
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Additional info for A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice
Within the dialogue, beware of indicating emphasised words and phrases in bold or italic type or with underlining – if there is an emphasis within a line, make sure it is written using syntax and diction, and without relying on typographic features.
When two characters walk on a stage, the audience immediately tries to distinguish between them – one is tall perhaps, and he uses odd words; another wears a yellow dress and has a bandage round her hand. Once the audience has distinguished between the characters it must try to guess at the conﬂict between and within them. Why is the character with the yellow dress looking away from the character who uses the odd words? Does the character with the bandaged hand feel sad or angry about her wound?
The coat she is given looks like that of a pharmacist’s assistant; the bees look as if they are ‘zinging ... dancing ... as at the end of long elastics’. This image of elastic will survive into the poem. Through the process of writing in a journal or notebook, you can ﬁnd sudden moments of focus. ’ 37 A CREATIVE WRITING HANDBOOK It is the ritual aspect of the process that sticks in her imagination. In the journal, she notes that she feels alienated, an outsider, ‘bare’. The poem turns this into a much more surreal affair, in which the central image is of being the victim of a ritual.